Sealed is apparently better than IB
Sept 11, 2006 14:37:18 GMT -7
Post by jman on Sept 11, 2006 14:37:18 GMT -7
Sealed meaning small enclosure;
Bossobass from Avsforum in the near-useless "craig's ultimate shootout thread" (locked twice now). Bosso has 4 tumults in small sealed enclosures using a custom(?) LT with thousands of watts of power to overcome the enclosure size/eq'ing done.
Some thoughts on the IB vs sealed:
I am sure that there is a sonic sig issue when you bolt that many drivers to the structural wood frame of your house.
Remember that, yes...I do use the BOSSIS which gives me the ability to alter system Q to that of any IB. I am equally sure that the low Q of IB systems has a LOT to do with comparos to much higher Q box systems.
Headroom is very audible. Reproduction of transients means everything to SQ. The fact that it takes much more power-on-hand for the smaller boxed system only requires that you provide much more power-on-hand. The nonsense about VCs heating is just that. Soundtrack program is largely hours of boredom followed by seconds of sheer terror. There is the occasional exception, but IB owners aren't basing the differences in SQ on those soundtracks, IMO.
If your system has the ability to play back single digits, you WILL see room gain and boundary gain. At these frequencies it will occur in ANY room, and quite significantly. This is where the properly designed sealed box leaves the IB (and every other alignment) in the dust. The air cushion allows for maximum system playback at these frequencies without driver failure. The IB/ported/PR and bandpass subs MUST be bandwidth limited for system safety. Horns would be too large to consider at all.
I'm with Bob Carver on the THD issue. If you have significant THD at 6Hz, most of that HD is at H2. Considering that H2 and H3 are inaudible frequencies, what is the resulting effect to the human senses? I don't think many people know the answer to that question. The subject is only being approached in recent years, IMO. Obviously, some soundtrack engineers think it's significant...
And I really think that the idea that these frequencies are noise that has been mistakenly left on a soundtrack of a big budget Hollywood movie is nonsense. If it's there, it's supposed to be there. Otherwise, it would be expunged from the soundtrack, no question.
8-15" drivers is not about loud. Actually, a single 2X15" is plenty loud for most purposes. I run a REBASE system, or .1+1. A discrete redirected bass system of 4X15" and a discrete LFE system of 4X15".
It's strictly about headroom for the first 2 octaves. OK, and the occasional 'Listen to this' demo session
Bosso
I am sure that there is a sonic sig issue when you bolt that many drivers to the structural wood frame of your house.
Remember that, yes...I do use the BOSSIS which gives me the ability to alter system Q to that of any IB. I am equally sure that the low Q of IB systems has a LOT to do with comparos to much higher Q box systems.
Headroom is very audible. Reproduction of transients means everything to SQ. The fact that it takes much more power-on-hand for the smaller boxed system only requires that you provide much more power-on-hand. The nonsense about VCs heating is just that. Soundtrack program is largely hours of boredom followed by seconds of sheer terror. There is the occasional exception, but IB owners aren't basing the differences in SQ on those soundtracks, IMO.
If your system has the ability to play back single digits, you WILL see room gain and boundary gain. At these frequencies it will occur in ANY room, and quite significantly. This is where the properly designed sealed box leaves the IB (and every other alignment) in the dust. The air cushion allows for maximum system playback at these frequencies without driver failure. The IB/ported/PR and bandpass subs MUST be bandwidth limited for system safety. Horns would be too large to consider at all.
I'm with Bob Carver on the THD issue. If you have significant THD at 6Hz, most of that HD is at H2. Considering that H2 and H3 are inaudible frequencies, what is the resulting effect to the human senses? I don't think many people know the answer to that question. The subject is only being approached in recent years, IMO. Obviously, some soundtrack engineers think it's significant...
And I really think that the idea that these frequencies are noise that has been mistakenly left on a soundtrack of a big budget Hollywood movie is nonsense. If it's there, it's supposed to be there. Otherwise, it would be expunged from the soundtrack, no question.
8-15" drivers is not about loud. Actually, a single 2X15" is plenty loud for most purposes. I run a REBASE system, or .1+1. A discrete redirected bass system of 4X15" and a discrete LFE system of 4X15".
It's strictly about headroom for the first 2 octaves. OK, and the occasional 'Listen to this' demo session
Bosso
Bossobass from Avsforum in the near-useless "craig's ultimate shootout thread" (locked twice now). Bosso has 4 tumults in small sealed enclosures using a custom(?) LT with thousands of watts of power to overcome the enclosure size/eq'ing done.